The “smcp” feature for small capitals is illustrated by the personal names in the following example:įor use in Word 2010 this feature is also available as stylistic set “ss05”.īy activating stylistic set “ss01” capital letters are replaced by even larger majuscules looming somewhat down to the descenders: In Order to make this feature available in Microsoft Word 2010 (which supports just a few OpenType features, including the stylistic sets), I’ve added a copy of this feature as stylistic set “ss05”. The following example shall give a demonstration: ”), and all marks (or combinations of such) are replaced accordingly.The umlauts ä, ö and ü are replaced by ligatures like æ and œ, v is replaced by u and w by uu, i is replaced by ı and finally s by ſ. Pfeffer Mediæval contains OpenType features for historical text layout, insular script and Gothic alphabet as well as for small capitals and particularly large capitals.Īctivating the “hist” feature for historical text layout generates a typeface that comes closer to the historic customs in writing Carolingian minuscule. Among those additional characters are several insular variants of Latin letters, rendering Pfeffer Mediæval suitable for display of Old English texts as well.įinally, this font also encompasses a Gothic and a Runic character set. As far as the coverage reaches, the character mapping follows the recommendations of the Medieval Unicode Font Initiative. The Latin range includes numerous accented letters and additional characters for purposes of medieval philology. Character set of Pfeffer Mediævalīeing my most extensive font as yet, Pfeffer Mediæval contains more than 800 glyphs the whole of which cannot be displayed here. This insular hand script primarily differs from the continental one in the shape of a few letters. In England, where the new script took a very belated foothold, the insular minuscule script (one of the above mentioned Post-Roman scripts) was in coeval use up to the 12 th century. This Carolingian minuscule became the common book and administrative script in the Carolingian empire and all over western Europe except Ireland, until it was in turn replaced by the Gothic minuscule script. Advocated by Charlemagne and with important collaboration of Alcuin of York-who had responded to a call to Charlemagne’s palace school in Aachen-an easy to read script was developed that, beginning from the 9 th century, quickly spread across the frankish scriptoria. Beginning from the end of the the 8 th century a standardisation took place in the course of the Carolingian Renaissance. Moreover, they were difficult to read, not least due to their extensive use of ligatures. Although all of them were derived from uncial, half uncial and new Roman cursive, they differed quite a lot regionally. These were already minuscule scripts using ascenders and descenders. In the young kingdoms that had been founded on formerly Roman territory during the migration period, several so called Post-Roman scripts emerged up to the 8 th century.
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